Writing as POLLY HERON

 

As Polly Heron, I have written a series of sagas set in Manchester the early 1920s. Both the series and the first book are called THE SURPLUS GIRLS.

 

To find out more, you can visit Polly's website, pollyheron.co.uk   

 

 

Here are the paperback and audiobook covers:

 

 

 

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Manchester, January 1922.

 

Belinda Layton is a surplus girl - one of the many young women whose dreams of marriage perished in the Great War, with the death of her beloved fiancé Ben. After four years of mourning, she finally feels ready to face whatever her future holds without him. But Ben's mother and grandmother, with whom Belinda lives, can't countenance her putting him to rest, while her own family - well, all they care about is getting hold of her meagre factory wages.

 

When Belinda joins a secretarial class to try to better herself, little does she imagine that it will open up a whole new world to her. For not only does she learn to type, but she meets the beguiling bookshop owner Richard Carson... and falls head over heels in love. But who is this man to whom she has entrusted with her heart, and what does he really want?

 

As Belinda fights to follow her dreams, can she move forwards from all the devastation and loss, and take a chance at happiness?

 

 

Click here to visit Polly Heron's author page on Amazon

 

The Surplus Girls on UK Kindle and in UK paperback

 

For American, Canadian and Australian purchasing links, please visit Polly's website

 

 

More about The Surplus Girls: 

To find out more about two important characters in the series, Prudence and Patience Hesketh, who set up the night-school for surplus girls to learn office skills, click here. 

 

To find out more about my writing process, including how I developed Belinda's character, click here.

 

To see what publication day was like, click here. 

 

 

More About The Surplus Girls

 

To find out how two important characters in The Surplus Girls spent nearly 20 years flitting from book to book until they found their natural home in The Surplus Girls, click here to be taken to my Susanna Bavin blog.

 

And here you can find out about characters in The Surplus Girls who also appear in my other books.

 

Here is my article in Frost Magazine about The Surplus Girls series, including a cautionary tale for anybody contemplating changing their name!

 

In a blog interview with Tara Graves, I talk about how NaNoWriMo helped get The Surplus Girls written, how I organise my work and why I wish I was better at writing blurbs.

 

 

In the Spotlight:

 

Belinda Layton, heroine of The Surplus Girls

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BELINDA LAYTON is from a large, impoverished family. The Laytons are pretty awful. They used to be respectable, hard-working working-class. But dad DENBY has gone from bad to worse where jobs are concerned and each job has dragged his family further down the social ladder. Mum KATHLEEN despairs of him and whenever she appears, you can smell the burning martyr. Denby is always trying to get money out of his three working children, much to Kathleen’s annoyance… but then she creeps after them and tries to wheedle money out of them herself.

 

Belinda moved in with her fiancé’s widowed mother ENID SLOAN and grandmother BEATTIE SLOAN when, aged 15, she got engaged; but her fiancé, BEN SLOAN, died towards the end of the Great War and since then Belinda has been a pretend-widow. She owes a lot to Enid and Beattie. Their cottage might be tiny but it is a big step up for Belinda, whose family is crammed into two rooms in a shabby house containing four families, all of whom share a stinking privy in the back yard. For Belinda, being invited to live with Enid and Beattie was a massive relief, but also a source of guilt, because she feels she shouldn’t be glad not to live with her family. Every week now, after she has tipped up for her bed and board with Enid and Beattie, and slipped Kathleen some money to help out, she has only a few coppers left for herself and she can’t see how to change this. Had Ben lived, it would have sorted itself out naturally once they got married, but now it feels like she is in a financial trap.

 

Belinda has received nothing but kindness from Enid and Beattie and is deeply grateful to them. Moreover, their shared grief has brought them extra close – but is she grateful enough to spend the rest of her life in mourning for Ben? For a long time she was happy to wear black and live in mourning, but now she wants to live a normal life again. She doesn’t expect ever to meet another man – she doesn’t even want to – but she is no longer content to live her life swathed in black. She wants to gain some skills so she can support herself and have a decent future, but Enid and Beattie struggle with the idea. Will Belinda rise above them in the world? They love her and don’t want to lose her, but above all, they believe Ben would want Belinda to stay with them.

 

 

Three Covers:

 

Ordinary Print - Large Print - & Audio

 

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